Keyword Index

A

  • Aeschylus Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
  • Akbar Radi Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • Areopagus Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]

B

  • Bahram Beizai Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
  • Bayât-e Tehrân The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]

C

  • Caryl Churchill Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • Châhârpâre The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
  • Court and Music Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]

D

  • Dâsh Mashdi The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
  • Deframing Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
  • Diegesis Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
  • Duree Being, Time and Cinema A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]

E

  • East of England Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • European Classicism With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
  • Expression A Study of Expressive Meta-Morph Technique in Representation of the Poetical Imagination [Volume 21, Issue 2, 2016, Pages 25-32]

F

  • Fen Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • Flute Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
  • Framing Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]

G

  • Ghaznavid Music Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
  • Gilan Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • Gilles Deleuze Being, Time and Cinema A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]

H

  • Henri Bergson Being, Time and Cinema A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
  • Historiographical Meta Fiction Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]

I

  • In Groups The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
  • Iranian Drama Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]

K

  • Karna and the Variety of Karna The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
  • Kuchebâghi The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]

L

  • Loulian Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]

M

  • Madare Sefr Darajeh With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
  • Marg dar Paeez Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • Martial Musical Instruments in Miniatures The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
  • Martial Musical Instruments in the History of Iran The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
  • Mimesis Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
  • Movement-Image Being, Time and Cinema A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
  • Musical System Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
  • Music Consumers Behavior Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
  • Music Consumption Behavior Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
  • Music Marketing Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
  • Music Procurement Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
  • Music Procurement Behavior Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
  • Musition Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]

N

  • Naghali Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
  • Narratology Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]

O

  • Off-Screen Space Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
  • Olivier Messiaen Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
  • Oresteia Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
  • Out Groups The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]

P

  • Pahlavi Architecture With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
  • Paris Conservatory Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
  • Pedagogy Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
  • Political Temperance Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
  • Postmodernism Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]

R

  • Rational Contrivance Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
  • Regard de l’Eglise d’amour Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
  • Regard du Pere Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]

S

  • Shakespeare The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
  • Shylock The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
  • Sound Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]

T

  • Tehran Style With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
  • Television Production Design With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
  • Time-Image Being, Time and Cinema A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
  • Tone Production Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
  • Trilateral Reading of Azhdehak Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
  • T’ziyeh Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]

V

  • Vingt Regards Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
  • Visual Aesthetics Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]

X

  • Xenophobia Phenomenon The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]