A
-
Aeschylus
Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
-
Akbar Radi
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
Areopagus
Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
B
-
Bahram Beizai
Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
-
Bayât-e Tehrân
The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
C
-
Caryl Churchill
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
Châhârpâre
The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
-
Court and Music
Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
D
-
Dâsh Mashdi
The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
-
Deframing
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
-
Diegesis
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
-
Duree
Being, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
E
-
East of England
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
European Classicism
With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
-
Expression
A Study of Expressive Meta-Morph Technique in Representation of the Poetical Imagination [Volume 21, Issue 2, 2016, Pages 25-32]
F
-
Fen
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
Flute
Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
-
Framing
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
G
-
Ghaznavid Music
Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
-
Gilan
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
Gilles Deleuze
Being, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
H
-
Henri Bergson
Being, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
-
Historiographical Meta Fiction
Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
I
-
In Groups
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
-
Iranian Drama
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
K
-
Karna and the Variety of Karna
The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
-
Kuchebâghi
The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
L
-
Loulian
Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
M
-
Madare Sefr Darajeh
With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
-
Marg dar Paeez
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
Martial Musical Instruments in Miniatures
The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
-
Martial Musical Instruments in the History of Iran
The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
-
Mimesis
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
-
Movement-Image
Being, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
-
Musical System
Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
-
Music Consumers Behavior
Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
-
Music Consumption Behavior
Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
-
Music Marketing
Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
-
Music Procurement
Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
-
Music Procurement Behavior
Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
-
Musition
Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
N
-
Naghali
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
-
Narratology
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
O
-
Off-Screen Space
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
-
Olivier Messiaen
Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
-
Oresteia
Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
-
Out Groups
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
P
-
Pahlavi Architecture
With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
-
Paris Conservatory
Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
-
Pedagogy
Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
-
Political Temperance
Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
-
Postmodernism
Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
R
-
Rational Contrivance
Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
-
Regard de l’Eglise d’amour
Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
-
Regard du Pere
Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
S
-
Shakespeare
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
-
Shylock
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
-
Sound
Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
T
-
Tehran Style
With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
-
Television Production Design
With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
-
Time-Image
Being, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
-
Tone Production
Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
-
Trilateral Reading of Azhdehak
Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
-
T’ziyeh
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
V
-
Vingt Regards
Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
-
Visual Aesthetics
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
X
-
Xenophobia Phenomenon
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
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